This model looked at spatializing a montage. Rather than reconstruct the actual
interior architecture (the kitchen, its appliances, cabinets, etc.), the idea
was to construct the architecture implied by the montage. Using a 150X112 pixel
rectangle as the projection screen, 11 screens were constructed in virtual space.
Their organization (above, below, parallel, or perpendicular) resulted from
the different camera positions of the montage. Also, each screen was connected
to another screen to maintain the montaging of the clip. Having constructed
the frames, the montage was broken down to 190 individual frames each representing
one tenth of a second of the movie. These frames were individually mapped onto
the corresponding screens in the sequence they appear in the montage. In addition
to this, the program allows the viewer to manipulate the 3D environment so that
the point of view can change. This ability to change the viewing frame is another
way to re-frame the time of the scene. The viewer is no longer a passive observer
but an active participant in what he observes. He can view the event from above,
below, or within.