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the middle section ties the others together. it plots all of the appointments as points in a six-dimensional space, and connects them across the dimensions, to elicit a form that is suggestive of "how tangled" a schedule might be. the handheld is used to switch between subframes of the large screen, and control them. with these combined perspectives, compositions can be seen from many different angles simultaneously, in a layered, composed space. both macroscopic and microscopic can be seen simultaneously, a type of dynamic cubism. in the movie here, a visitor is moving the handheld between the sensing rings, rotating the shape in space.
 

  click the image to start