Individual
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Stream of Consciousness
Tom White and David Small
Water briskly flows down a series of cascades into a glowing pool. Projected
on the surface of the pool and flowing as if they were caught in the water's
grasp are a tangle of words. You can reach out and touch the flow, blocking
it or stirring up the words causing them to grow and divide, morphing
into new words that are pulled into the drain and pumped back to the head
of the stream to tumble down again.
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Coding Form
Tom White
The goal of my research is to create an environment that allows new forms
of computational interaction by building natural mappings between the
symbolic space of reasoning and language with the numeric logic of the
computer. I have recently begun exploring engineering forms from various
computational descriptions in a fluid and scaleable environment.
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Alphabet
Zoo
Peter Cho
This research explores the prospect of dynamic typography which can be
faithfully realized only in an interactive, three-dimensional environment.
By developing the underlying representations for type on the computer,
we can develop novel, expressive forms unique to the digital medium. In
the Alphabet Zoo, each letter becomes a playful, animated character
through the manipulation of a custom-built letterform model.
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Adaptive
Information
Ben Fry
My recent work involves building constructions of information. These systems
are made up of many small units with autonomous but simple behavior, which
react with others to form an organic visualization of continuous input
from a large body of data, or a dynamic source of information.
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Garment
Chimerical
Elise Co
This research explores the idea of technology and computation as expressive
elements relating to the human body and its movement. Intended as a visualization
to be displayed on the body, the chimerical garment is a projection of
imaginary clothing into the physical world, conscious of the body and
shifting according to the movements of the wearer.
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Solid
Light
Bill Keays
The ability to react in real time is the quintessential quality of visual
computer media. High-resolution displays and reduced latency have brought
unprecedented richness to this experience; but must we observe it uniquely
through a painted two dimensional surface? The Solid Light project introduces
methods of embodying real-time interactive graphics in expressive, sculptural
forms.
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Aurora
Golan Levin
The expressive and evocative capacities of abstract form are important
complements to those afforded by other visual media such as text and information
graphics. In Aurora, users create and manipulate a shimmering,
nebulous cloud. This glowing formlessness rapidly evolves, dissolves and
disperses as it follows and responds to the user's movements.
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Curvesculpt
Jocelyn Lin
I am interested in exploring how a dynamic system may be represented in
an organic fashion. In Curvesculpt, the focus is on the transient
forms and spaces created by the boundaries of the piece. Through interaction
with this work, a participant may create intricate, flowing sculptures
which evolve from a single curve.
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Formulation
Jared Schiffman
Formulation is an example of reactive design in which the internal
dynamics of the elements leads them from motion to rest. In many of my
pieces, the participant provides the energy and direction for motion,
while the design adjusts accordingly until balance is reached. The ever-present
tension between the interactor and computer gives the sensation of a mutual
shared experience.
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Living
Pigments
Catherine Foo
The difference between physical and digital color is not always obvious.
In this space, colors are represented by small creatures which can exchange
information. Interaction amongst these digital pigments creates a garden
of organic color.
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Visual
Systems
Casey Reas
What rules govern the aesthetics of dynamic, living compositions? The
collection of studies presented in this exhibition is a foundation for
the exploration of this question.
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Codes
Reed Kram
Watch and listen to a meditation on everyday signs and signals! Reed Kram
was a founding member of the ACG. He currently lives and works in Stockholm,
Sweden and teaches at Designskolen Kolding, Denmark. Sound by Aphex Twin
and Oval.
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Cinnabar
Matt Grenby
This piece is an exploration of dynamic abstraction. The essence of an
individual photograph or graphical composition is distilled and represented
in either an organic or discrete fashion. The viewer is invited to look
for the original image through the abstraction, or perhaps (more interestingly)
to form an entirely new idea of what the form represents.
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