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created by golan levin and casey reas [ overview ] Alphabetic and pictographic writing systems commonly create meaning by permuting a large set of dissimilar symbols. There are, however, alternatives that achieve the same result by instead using a set of similar symbols which are differentiated not by their form but by their position in space. Some of these positional typographic systems use permutations of space to create graphemes (letters); others create lexemes (words) by varying the spatial patterns of similar elements (see examples below). We were inspired by such systems in the design of Dakadaka, because of their natural application to the gridded keyboard space, and because of their ambiguous situation between writing and pure abstraction. By removing the symbolic language (letterforms) from the act of composing words, only the raw physical action of typing remains. The temporal qualities of this physical action are analogous to those of speech itself. But the ordinary written word cannot convey these patterns in time. By connecting the physical act of typing to a dynamic display instead of a static one, Dakadaka reflects these fleeting performances back to us, reminding us of their gestural and continuous qualities.
One can understand Dakadaka as a prototype for an ambient display
which could augment one's ordinary typing as an auxiliary, transparent
layer in an attempt
to infuse typography with the fleeting dynamics of speech.
Alternatively, one can also understand Dakadaka as an
experience in its own right, re-framing the act of typing at a computer
keyboard as a visual
exploration. |
John Wilkins: Of Writing by Invented Characters (1641) [1] enlarge image |
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The Art of Writing in the Dark (1804) [4] enlarge image |
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Charles
Barbier, refined by Louis Braille: Braille alphabet (1821) enlarge image |
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Michael
Winkler: Where Signs Resemble Thoughts (1980)
[3] enlarge image |
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[ sources ] [1] Drucker, Johanna. The Alphabetic Labyrinth - The Letters in History and Imagination. London: Thames and Hudson Ltd., 1995. [2] Gurtler, Andre. Experiments with Letterform and Calligraphy. Switzerland: Verlag Niggli AG, 1997. [3] Rasula, Jed and Steve McCaffery, ed. Imagining Language: An Anthology. Cambridge: The MIT Press, 1998. [4] Rees, Abraham. The Cyclopaedia, or, Universal Dictionary of Arts, Sciences, and Literature. 1st American ed. Vol. 14, Part 2. Philadelphia: Samuel F. Bradford, 1805-1825. [ contact ] Golan Levin (golan@media.mit.edu) http://acg.media.mit.edu/people/golan/ Casey Reas (creas@media.mit.edu) http://acg.media.mit.edu/people/creas/ |
copyright 1999 | golan levin & casey reas |